29 December 2010

Song, by Judith Wright

Song
Judith Wright

O where does the dancer dance –
the invisible centre spin –
whose bright periphery holds
the world we wander in?

For it is he we seek –
the source and death of desire;
we blind as blundering moths
around that core of fire.

Caught between birth and death
we stand alone in the dark,
to watch the blazing wheel
on which the earth is a spark,

crying, Where does the dancer dance –
the terrible centre spin,
whose flower will open at last
to let the wanderer in?

17 December 2010

How to be Alone

This four-minute video video by filmmaker Andrea Dorfman, set to words by poet and songwriter Tanya Davis, is just gorgeous.

14 December 2010

'Something to make you feel loved'

The folks at The Rumpus recently tracked down the text of the priest's monologue from Charlie Kaufman's Synecdoche,  New York, one of my favourite films of recent times. It's incredible stuff: 
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make. You can destroy your life every time you choose. But maybe you won’t know for twenty years! And you may never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce ...
And they say there’s no fate, but there is, it’s what you create. And even though the world goes on for eons and eons, you are only here for a fraction of a fraction of a second. Most of your time is spent being dead, or not yet born. But while alive, you wait in vain wasting years for a phone call or a letter or a look from someone or something to make it all right, but it never comes. Or it seems to, but it doesn’t really.
So you spend your time in vague regret or vaguer hope that something good will come along, something to make you feel connected, something to make you feel cherished, something to make you feel loved. And the truth is, I feel so angry! And the truth is, I feel so fucking sad! And the truth is, I’ve felt so fucking hurt for so fucking long and for just as long, I’ve been pretending I’m okay, just to get along!
I don’t know why. Maybe because ... no one wants to hear about my misery ... because they have their own.
Fuck everybody. Amen.

03 November 2010

The great eternal truths

The great eternal truths are not expressed in words, but in the silences that pass between two souls.
Khalil Gibran

20 October 2010

In support of gay teens

Dear America, when you tell gay Americans that they can’t serve their country openly or marry the person that they love, you’re telling that to kids too. So don’t be shocked and wonder where all these bullies are coming from that are torturing young kids and driving them to kill themselves because they’re different. They learned it from watching you. 
Sarah Silverman

19 October 2010

Inspiration: Linked Destinies

It can be quite striking when something mundane or technical is explained with a sense of the beautiful.

In the Fall issue of the Paris Review, Michel Houellebecq talks about the inspiration for his second novel, The Elementary Particles (or Atomised):
the experiments of Alain Aspect in 1982. They demonstrated the EPR paradox: that when particles interact, their destinies became linked. When you act on one, the effect spreads instantly to the other, even if they are great distances apart.
I like that.

16 October 2010

Hope

Yesterday I watched Cinema Paradiso and enjoyed seeing it again (well, ‘again’ is a bit overstated, as it was maybe 15 years ago that I saw it). But here’s a quick hint – if you’d like to see it, try to get the original edit: the director’s cut, while it provides a new, poignant perspective on the story, is pappy soap opera. But other than that it’s a gorgeous little film about child-like wonder and teenage longing and love and hope.

Take this one scene, where Salvatore has just returned from military service, and takes Alfredo to the seaside and recalls an old story. Standing among a tangle of intertwined anchors, Salvatore tells Alfredo: ‘Now I understand why the soldier left right at the end. One more night and the princess would have been his. But she might not have kept her promise. That would have been too cruel. It would have killed him. This way, at least, for 99 nights, he lived in hope that she’d be his.’

Image: Screenshot, Cinema Paradiso

27 September 2010

'When it is dark enough, you can see the stars.'

I attended a funeral yesterday, and it reminded me of an experience I had when I was 17. 

A friend had died overnight in our dorm, and his girlfriend had come screaming down the corridor. My girlfriend and I rushed to see what was going on, and we called the ambulance, comforted her, calmed her, made her eat, helped with this or that necessity, called people, controlled access, helped his friends into the building, answered questions from others in the corridor, calmed, comforted, made her eat … did all of that stuff that one does to be strong for another.

And when night fell, and our friend had gone to sleep, my girlfriend and I crawled into bed together and collapsed into a heap of tears and emotion.

Perhaps strength is a mask sometimes –


Photo: Monash University

25 September 2010

Earlier, in Yarraville

Had the bright idea today to stop for a coffee in Yarraville, so here's the scene before me at Caffe Urbano: coffee, fruit salad (counts as second breakfast - was at Sugardough not an hour before), and a magazine piece on the recovery of Donald Friend's wonderful diaries.

Island of calm. Otherwise nutty day.

23 September 2010

01 September 2010

In Praise of the Long Lunch

Lunch at Bella Vedere in the Yarra Valley this weekend. 
Bread made on site, with Australian sparkling.

Stuffed pork trotter with lentils
Chips fried in duck fat with fried runny eggs.

14 August 2010

The Perfect Poem


A perfect poem is impossible. Once it had been written, the world would end.
Robert Graves

13 August 2010

In Praise of the Short Break

Just returned from a four-day escape to beautiful Cradle Mountain in Tasmania. The first time we went was this time in 2005, and it snowed. Not quite that lucky this time, but still a good way to escape - the fact that we had been there before was a big part of the appeal.

There is a lot to be said, too, for taking that short break out of range of a phone signal, for taking walks among the hauntingly majestic King Billy pines and around Dove Lake, spending hours in the spa, and consuming some wonderful food, cheese and Tasmanian wine, particularly from these labels: 

02 August 2010

August

The snow doesn’t give a soft white damn whom it touches.
ee cummings

23 July 2010

We are each kings and queens


We are each kings and queens, sovereigns of our personal kingdoms, and we are each affronted when faced with the insignificance of our selves in relation to others.

21 June 2010

21 May 2010

HBR: Job vs Vocation

Great post by Andrew J Hoffman on the HBR blog on the risky business of finding 'work that you deeply connect with'. A sample:
'a life well lived must be a creative endeavor. Whatever form that creativity takes — whether it's carpentry, building, teaching, raising a family, or writing a book — the challenge of looking within ourselves to find that creative element makes us who we are. But chances are, if we are genuinely open to the possibilities of a calling, we will find that that satisfaction will come from someplace far different from where we expected to find it.'
And a wonderful line from Thoreau to end. 

17 May 2010

The Idea of Home

The Morning Routine

When I was a child, I lived with my family in Hong Kong, a short walk from the Rocky Bay beach in a place called Shek O.

On school days, Mom or Dad would wake my sister and me at about six in the morning, and we would crawl to the bathroom and wash our faces before coming to the breakfast table.

We would each have a small bowl of sugary cereal – often Froot Loops, Cap’n Crunch or Frosties, and just occasionally, an exotic option called Weetabix (which you’ll note is distinct from its Antipodean cousin, Weet-Bix). That would be followed by toast, jam and Flora margarine (because butter was bad in the late 80s), and then again by a breakfast ‘main’: French toast, bacon and eggs, or pancakes or crêpes if we were lucky.

When we were done we would walk down across Rocky Bay Beach to the bus stop to get the number 9 for the 30-minute trip out to Shau Kei Wan, and there we’d take the subway to Causeway Bay, a short walk to school.

These memories of our morning routine are vivid, they’re enduring and persistent. Already I can remember the bleary-eyed difficulty of getting up at that hour – particularly on winter mornings, which in that part of Hong Kong at 6.00am could be below 10 degrees. I remember the taste of Cap’n Crunch, or the sound of the old Leyland buses arriving, or leaving if we were late (and you can imagine, if we were late, no French toast).

If you ask me about ‘home’, it is often Shek O in Hong Kong that I will think about.

Where is ‘home’?

‘Home’ is such a powerful word – I’m certain one of the most powerful there is. The emotions and connotations it can conjure are so diverse that it can mean all kinds of things to all kinds of people, and indeed, in my life, ‘home’ has a variety of meanings.

You should, I hope, get a clear sense from my childhood that I had an undeniably good home, that I had nurturing, involved parents, and so, at its best, the word home reminds me of sunny afternoons and apple pie, of climbing trees and chasing dogs. It reminds me of Shek O.

In preparing to speak to you tonight, I thought about why I go back to that childhood experience of home, why so many of us, I think, find in our childhood homes the deepest essence of the idea represented by the word.

There’s something of the work-in-progress about the homes we inhabit in the present. As, often, memories, our childhood homes become something of a keepsake, something more permanent, though not necessarily unchanging, than our present homes.

There’s something there in our childhood homes that hopefully cuts directly to our very identity. And that is one of two things I’d like to return to: identity, and belonging.

When someone asks me the seemingly simple, seemingly straightforward question, ‘Where do you come from?’ – a kind of shorthand for ‘Where is home?’ – I feel the need to answer with a convoluted, sometimes-anxious explanation of where my parents are from, where I grew up, and where I live now.

Identity, I think, over belonging.

There are three places that count as homelands for me, and note the distinction from the simpler ‘home’. They are Hong Kong, where I was born and where I grew up; the Philippines, where my parents are from, and where we visited most summers when I was a child; and the last, at least to date, being Australia, where I’ve now lived for thirteen years.

I believe in making my current situation ‘home’. It makes it easy to be in the world – to have all places become home. When I first moved to Melbourne, people kept asking me why I didn’t seem homesick. ‘Well, Australia is home,’ I told them. ‘As long as I live here, I am home.’ Did I miss Hong Kong? I did, but adopting as home wherever it was that I was made it easier to be there, made it easier to love what was great about the place, and made it easier to accept its shortcomings.

That was a great coping mechanism, and yet, sometimes I feel that that ease of adapting was perhaps the result of an absence of home, not necessarily the result of all places being home.

All of those places I mentioned are, in very real, very intimate ways, home – and yet, and I will need to explain myself here, none of them are, really, or at the least, none of them are fully.

When we visited Manila when I was a child, my sister and I were exactly that: visitors. We did not speak Tagalog, we did not know our ways around. We looked like our cousins, but very different, too. We understood some of the customs, but not all – so while we would observe enough of those to create an expectation of a cultural fit, we would transgress enough for people to tut-tut, to smile in that benign bemusement at the ‘yes-they’re-foreign’ kids who should really know better.

And in Hong Kong, which I consider home above the others, there were many reminders that it was not my ‘natural’ home, that we were still foreign. There, too, we didn’t speak fluent Cantonese, and we didn’t look like everyone else, didn’t understand all the customs.

So I lacked in a kind of belonging at that level, and yet these places are still – strongly, comfortingly, powerfully – home.

I get a very large sense of relief, for example, when I fly back into Tullamarine. I know a trip is over when the Customs folks eyeball me for food or wooden souvenirs.

I’ve been describing, I think, a hierarchy of elements that can cause one to feel ‘at home’, something along the lines that shelter, comfort and nurture are basics that need to be fulfilled, and then you can step up to ‘belonging’. But it isn’t belonging that has made me feel that these places are ‘home’, it is another step in that hierarchy. I feel they’re ‘home’ because they form a part of my very identity.

I hope many of us here tonight can relate to that. This College and this Chapel, for example, are homes. In both cases, that sense of their being home arises not from any one thing: I think first there is the physical or spiritual shelter they provide, there is the comfort and nurturing offered by the tutors and staff or the reflection and prayer that takes place within it, and from the belonging that comes from being a part of this community. And I think sitting atop all this is identity: that of being a ‘Trinity student’, that of being Christian.

At times, I’ve worried that not having a more concrete concept of home has caused me to lose something, because nowhere is truly home. But I don’t know anymore that that’s the case. My reckoning is that in the end, I’ve gained more than I may have lost. This ‘rootlessness’, if I can call it that, allows me to float in the world, to identify with anywhere, even if I don’t quite feel I belong. And much of that has come from creating an identity as a floating person, comfortable anywhere, comfortable with floating.

At Home at Trinity

So by way of coming to an end: I hope you see in Trinity a home, a place of belonging, one in which you can see a part of your identity.

I hope you continue to cherish the other homes that exist in your life – physical, emotional, spiritual. I hope that if your previous experience of home is one of lack or absence, and even if it is not, that you find here something more present – people that are or will come to be like family, a place that offers you rest, an experience that nurtures you towards dealing with the successes and challenges of your life.

I hope that living and learning and gathering within the diversity of this community enables you to more easily find common ground and bridge gaps with all kinds of people. And I hope that being a part of the village that it is allows you get to know most of its people, and know, deeply, a sense of its friendship.

And finally, I hope you can see it as a part of you. I hope that even many years from now, whenever you step through the College gates or the doors to the Hall or this Chapel, that you can sigh, sit deeply and say with gratitude, ‘I’m home’.

A reflection delivered in the Chapel of Trinity College in the University of Melbourne, 16 May 2010. You can 'like' Trinity on Facebook here.

08 May 2010

Flight Diary, SQ 218, 8 May 2010

And I didn’t get a bathroom door that looks like part of a wall by being bad at business.
Jack Donaghy, 30 Rock

It’s amazing how many of my fellow travellers reek (really reek) of inexpensive beer.

Recline all the way, will you, woman in 32C?
She reclined her seat into my view of 30 Rock, then pressed back some more to see if would go further – it did. Another centimetre. Cow. Later, she moved it back up – at the request of the stewardess – for the meal service (she didn’t take a meal, I did), but how many times did she look back to see whether it was time? Once, twice, three times, then four, five and six. Every little while, a check-back.

Scotch in a plastic cup.
Johnnie Walker’s neat.

2.30am Melbourne time
This strange sideways turbulence can be rather disconcerting because it’s rarer, I suppose, than regular up-down (vertical!, that’s the word) turbulence.

5.00am Melbourne time
The man I had thought for most of the flight was an uncaring chauvinist husband was in fact a perfect stranger to the woman sitting in the seat between us, and called her ‘bizarre’ as he stepped over her to get past to go the bathroom – the only reason being that she had her blanket over her head to keep out the light. I don’t smile as he passes me, my subtle expression of disapproval. 

Edvarcl Heng
The author of an article in the SilverKris magazine. This must be what’s wrong with Singapore society, I thought. Or the layout person can’t spell Edvard (because a boy with a Teochew heritage can still be named after a great Norwegian painter). But then, his name appears in two different places in the magazine: EDVARCL.

5.45am Melbourne time
My Singapore Girl is Japanese. She bows slightly as she speaks.

It’s breakfast service, and the choices are frittata with a chicken sausage (I’m sure it’s vile) and braised noodles with beef. I choose the noodles, but when I unwrap the alfoil, it’s the frittata. I asked for the noodles, please. You want to change the meal? Yes, because I asked for the noodle. Wait a minute. They’ve run out of the noodle on this trolley, so she sends her colleague down to the galley. He returns. Who wanted to change their meal? he asks. Gah! I ordered the noodle, but I only scream in my head.

More of that sideways turbulence. I can’t lift my coffee cup straight or put it down properly, so I keep it suspended in mid-air, looking to all the world like I’m swirling my airline pot-coffee as if it were pinot noir in a giant crystal glass.

In typical SQ fashion, the Flight Path indicator is showing that arrival will take place at 5.12am Singapore time, or 48 minutes ahead of schedule.

The whole point of keeping it real is to take it to the next level.
Phil, from Modern Family

I adjust my watch, so it’s now:

4.45am Singapore time

It’s a full flight. I walk down the aisles to get to the aft toilets. Not a spare seat on the thing.

We land at 5.13am. Pull up at the gate at 5.20am, and I’m at the Hilton by 6.05am.

I watch the sunrise over Singapore.

04 May 2010

The centre of the universe

We are rarely the centre of anyone’s universe but our own.

So who’s surprised?

And yet, I still constantly see people disappointed by others not rotating around them. We’re disappointed that they don’t think like us, or do things as we would. At work, we’re disappointed that they don’t buy our widget or intrinsically know to subscribe to our services. We’re disappointed by their not knowing about the goings-on in our universe.

But we can’t be. If we want them to be a part of our universe, we need to convince, to persuade, to show them why our world is worth signing up for. We need to be compassionate.

And we need to expect that if they do sign on and sign up, it might still be due to some larger grace than your own efforts.

26 April 2010

At home, in Delhi

Hotels tend to promote themselves with ‘home-away-from-home’ connotations – telling guests about the available comforts, the conveniences designed to make their travels easy, and, most of all, the friendly, personalised service. Sometimes, guests leave testimonials to the effect that ‘the hotel staff were like my family’.

And if you watch closely, you’ll often see guests making too-intimate conversation with the waiters and other staff, in a unilateral effort at connection in faraway places.

In February 2008, I was at the Hyatt Regency Delhi, when I sat facing a man who really needed to connect:

A man who looked like Freud, nursing a red wine in the Executive Lounge, is showing the waiter photos stored on his phone.

My son and his girlfriend, he says.

My other son and his girlfriend. Neighbour’s daughter. My mother-in-law, he says with a mixture of affection and amusement. Travelling in Canada.

He shuffles through a few. My daughter is in the wedding … my daughter and this girl are good friends.

This is today, here in Delhi, he says more loudly, awaiting the waiter’s reaction.

Yes, yes, Delhi, says the waiter, happy to see the familiar among these family shots.

He scrolls on: Here’s my backyard, that’s an owl.

Snow … this is near where I live.

This is my neighbour. The girl who got married, this is her house.

Oh, said the water.

We had a party for Valentine’s Day, I don’t know if you have Valentine’s Day …

Yah, eh, February … February 14, the waiter says, as if to prove that he knows it.

The men get together and cook a meal … for the women.

The waiter nods politely.

My brother-in-law … this is in New Hampshire. This is a party there … his daughter is getting ready to go to college.

My nephew.

My brother-in-law.

My wife. My son. My father.

The waiter asks after his father.

He’s, uh, 81 – he’s old, the man says as he scrolls on.

What kind of dog is it?, the waiter asks when the next photo appears.

It’s a pug. P-U-G.

This is behind my house … sunset.

Business trip I took to Minnesota. Back to my mother-in-law’s house. I think this is Christmas time. My in-laws have a small cottage on a lake … it’s beautiful.

Again, The waiter nodded politely.

It was cold … we all got up and had coffee on the dock.

An associate of Freud turns up, watches the proceedings for several moments before he interrupts … Excuse me, he says to the waiter, before turning to Freud: Weren’t we meeting in the restaurant?

Freud looks up briefly: I think we’re meeting here. We’re here, he says as he goes back to showing the waiter his photos as the other man comes to sit opposite him … it’s an antique, he says, even as the waiter turns to the other man to take his drink order.

The first man shifts his attention to his associate. They eat at 8.00, 8.30 here, he says. So did you go to surgery? How’d ya do?

25 April 2010

Life

To be an artist is to believe in life.
                  Henry Moore

22 April 2010

In praise of the weekend away




These happy snaps were taken on a Saturday-to-Monday weekend in Daylesford. Lazy brunches and coffees, getting around the lake and the Sunday produce market, and a quick wander through what's showing at the Convent. And facials at Mineral Spa, and a long, delightful dinner at Lake House. Hard to beat.

17 April 2010

The social writer

At LitDrift this week, this post from Tania Paperny called 'On Loneliness and Productivity'. We want to be social creatures, writers. Sigh. Quoting:
I need both. I need time set aside for reading. I need to hang out with my friends. I won’t be satisfied by my day if at the end of it, I read a great book, wrote a great short essay, but talked to no one.

14 April 2010

Carpe diem

Lesson of the day: Life is too short to waste doing things you don’t enjoy. Not a novel concept, apparently, but today two people in two separate instances told me things that brought it to the front of my mind. One said he retired early and now accepts some part-time work - and how that's reduced his stress - and one said he turned down lucrative alternative careers in order to pursue his passions. And someone at work is retiring so that she can paint. So, the lesson of the day: Life is too short to waste doing things you don’t enjoy. Question is: Do we learn? Will I?

13 April 2010

Attraversiamo

Of all the books I read in 2009 – and, admittedly, I did not get through nearly as many as I’d have liked – the one that perhaps struck the greatest chord was – wait for it – Eat, Pray, Love. This is a big admission for me: during the year, I read beautiful poetry (if I did read anything, it was part of a poetry binge of sorts), some interesting novels (you know, highbrow literary stuff the enjoyment of which I don’t need to explain) and other non-fiction (John Armstrong’s Love, Life, Goethe – another three-word, three-comma title – that perhaps figured second in the 2009 greatest chord-striking stakes), but it was this book that got to me, that stayed with me.



This book that I bought so reluctantly, that I baulked at because of its immense, folksy popularity, and the author’s voice of which I had already presupposed I would not enjoy. Well, many times I really didn’t enjoy Ms Gilbert’s voice. Often enough, she grated, she whined, she stubbornly didn’t help herself or see the rut she was in for what it was.

But then, there were things like this:
… I disappear into the person I love. I am the permeable membrane. If I love you, you can have everything. You can have my time, my devotion, my ass, my money, my family, my dog, my dog’s money, my dog’s time – everything. If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will project upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else.
And this: ‘Never forget that once upon a time, in an unguarded moment, you recognised yourself as a friend.’

There were things like India, like bel far niente, like Ketut, like Richard, like Liz telling Wayan: ‘But I was always coming here. I thought about one of my favourite Sufi poems, which says that God long ago drew a circle in the sand exactly around the spot where you are standing right now. I was never not coming here. This was never not going to happen.’

And this: ‘Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.’

There was all this chatty profundity, all this stuff that was – hey – true. And perhaps it was all the stuff I was going through, perhaps it was all about the timing, but it resonated with me (and, it seems, the millions of others who also bought copies). I read it quickly, and more eagerly than I have many other books – I read it with emotion rather than intellect, and took notes because I was worried I would forget. I would stop in places, and pick it up weeks and weeks later, and read slowly or again eagerly according to some cosmic instruction.

And finally, I recognised not only the sadness, the searching, and the providence in the parts I quoted above, but also this:
Somewhere in me I am able to recognise that this is not my melancholy; this is the city’s own indigenous melancholy, and I am healthy enough these days to be able to feel the difference between me and it.
And this:
I came to Italy pinched and thin. I did not know yet what I deserved. I still maybe don’t fully know what I deserve. But I do know that I have collected myself of late – through the enjoyment of harmless pleasures – into somebody much more intact. The easiest, most fundamentally human way to say it is that I have put on weight. I exist more now than I did four months ago. I will leave Italy noticeably bigger than when I arrived here. And I will leave with the hope that the expansion of one person – the magnification of one life – is indeed an act of worth in this world. Even if that life, just this one time, happens to be nobody’s but my own.

10 April 2010

Natalie Merchant at TED

Great video from the TED 2010 conference of Natalie Merchant singing a few songs from her new album Leave Your Sleep – the result of a project to research old poems and set them to music. Watch for the gorgeous ‘The Janitor’s Boy’, by Nathalia Crane.

06 April 2010

I haven't made up my mind about ...

The time to make up your mind about people is never.
Tracy Lord (Katharine Hepburn), The Philadelphia Story

Lebensfreude

Last August, while visiting friends in Switzerland, I pulled a card out of deck that they used for their children. Each card contained a suggestion, of a sort, for kindergarten students about to face the day – things like ‘Cherish your friends’ or ‘Smile’ (in Swiss-German, of course).

The card I pulled out said ‘Lebensfreude’, and I liked it so much I wrote it down.

My basic, basic grasp of German didn’t prevent me from stringing the meaning together. Life joy, I exclaimed. I looked at the card and the happy stick figures on it, and thought, ‘Yes, this is how we’re going to go today.’

31 March 2010

The Journey

To travel hopefully is a better thing than to arrive.
Robert Louis Stevenson, Virginibus Puerisque

… om mani padme hum …

I’ve just finished a six-week beginners’ meditation course. I missed two weeks in the middle, but it was a great experience. My aim at the start was to try to be better at relaxing, to try to slow the rush of thought that constantly flows through my brain.

I don’t know that that’s exactly what will happen. I feel, having completed the classes, that the goal should be somewhat different: still to try to be better at relaxing, but not so much to slow the rush of thought, but harness it, to be aware of it, and to let it pass if I don’t want to tap it, and to draw from it when I want to. And not let it overwhelm when there are just too many.

The challenge now might well be to see if I can keep it up. There are lots of things I do that I’m more conscious actually count as meditating, and that has been good to realise. But making some form of meditation a deliberate and regular part of my day or week will be key.

Last thing, literally: we ended the course with everyone in the group chanting om together for 10 minutes. I think it took a lot for some people in the group to agree to that. But the vocal harmony happened naturally, without anyone needing to do anything special or be in any particular key, and the calm unison in the room caused me to break out in smile every so often. Simply brilliant.